The use of wireless technology in many industries has grown rapidly while the number of radio frequencies available for wireless microphone use has become less and the space more congested. Despite these challenges, event production can sound its best by implementing best practice with wireless microphone systems and lowering the RF noise floor.

Wireless receivers typically search for the strongest matching signal, irrespective of its quality, which means that the RF signal environment should be as clean as possible. This environment is referred to as the signal noise floor, which is the amount of background RF (Radio Frequency) noise present before any required signals are received.

Well-attenuated facility with a low noise floor and no LED wall interference
Noise Floor with LED Wall switched on and visible 'spurs'

The noise floor is caused by RF interference (RFI) that is generated from most electronic products or wireless equipment nearby. LED, LCD and other types of video walls used in productions as well as LED lights cause a significant amount of low-level noise across the RF spectrum, which can be a silent problem for wireless audio systems, as they reduce the signal range further.

This is because in the production environment, video walls and lights are often near to performers and crew members that are using wireless microphones, in ear monitors (IEM) and comms systems. In many instances, video walls not only produce broadband low level noise, but have been seen to produce narrow band RF ‘spurs’ of an elevated level (amplitude) that can cause audible RF interference.

If the noise floor is too high, it can have a negative effect on the receiver by over-saturating the front end. This results in a loss of input sensitivity, reducing the range of the system significantly, creating unreliable performance and overloading of the receiver.

Therefore, the chosen RF signal (frequency) for a wireless audio system should be the strongest signal – much higher than the noise floor – to achieve clean audio reception. This signal is known as the signal-to-noise ratio which is the ratio of the difference between the noise floor and the required RF signal.

LED Video Wall 'spurs' as captured by Pete Erskine
LED Video Wall 'spurs' as captured by Pete Erskine
USING BANDPASS FILTERS

While the implementation of best wireless audio practice such as frequency coordination with effective antenna distribution and antenna placement is always encouraged, there are RF tools available that can lower the noise floor in the RF spectrum and prevent the RF receiver overloading.

Lowering the noise floor is achieved by using a bandpass filter to reduce and filter out unwanted frequencies on each side of the desired frequency range. It is simply inserted in the antenna signal path and allows a specific range of frequencies to pass, while restricting the frequencies on either side outside that range. If a diversity system is used, a bandpass filter should be inserted on each antenna line.

Upgrading to RF Venue bandpass filters is the easiest and most cost effective way to improve the reliability of a wireless mic system. The bandpass filters are available in a range of frequency bands, allowing a 50MHz bandpass with up to 40dB of side rejection. Users select a band based on the frequency block the wireless system is operated in.

The illustration captured at InfoComm shows how effective a bandpass filter can be. A pair of RF Venue 560-608 MHz bandpass filters were inserted between the antenna and the input to a Distro4 (one on each diversity antenna) significantly reducing the load of unwanted signals to the receiver. It allowed the desired band (560-608MHz) to pass untouched thereby improving the stability of the system.

RF Venue Band Pass filters help lower the noise floor for wireless microphones and IEM in ear monitors
Lowering the Noise Floor at InfoComm with RF Venue Bandpass Filters
REDUCING INTERMODULATION WITH BANDPASS FILTERS

Using bandpass filters can effectively reduce intermodulation problems when using several IEMs and wireless microphone systems together.

RF Venue Bandpass filters help prevent intermodulation between wireless microphones and In Ear Monitors IEM in a production setup

As an example, a production has set up the IEMs in the low 500MHz range, with the wireless mics configured above 560MHz.

A 560-608MHz bandpass filter is inserted on the microphone side, between the diversity antenna (DFIN) and the input to the RF distro (Distro4), the objective to always protect the wireless mic receivers from unwanted signals.

In this instance, the wireless mics are being protected from interference (intermodulation) by the IEMs. The filter also blocks RF above 608MHz.

RF Venue bandpass filters have been designed to work with any brand of wireless system, provided that the correct frequency band is selected.

If you need assistance in configuring your wireless microphone setup and would like to implement best practice measures using correct antenna distribution, please contact our team of experts at JPRO today!

If you have a question about using bandpass filters in your system, or need assistance with your wireless microphone setup, contact our specialist Team at JPRO today!

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